I've been reading fiction again. In recent months, it had been a struggle. Hell, I've always been a bit of a reluctant reader. As a kid, I much preferred playing outside. I couldn't keep my eyes on a page if my life depended on it. I couldn't take in the information. I'd flip pages and have no idea what I'd been reading.
It wasn't until college that I managed to begin really enjoying reading. Sometimes I would read standing up in my dorm room to keep from dozing off. Still, I was able to read books. Real books. It was a revelation to be riveted by 850 pages of
Anna Karenina. I didn't think it was possible.
Still, reading's never been easy for me. Since college, just for the sake of continuing to read, I've been much more likely to pick up a "good read," rather than a "good book."
Which leads me to my point. I'm six years late, but I finally read
Atonement by Ian McEwan. I bought the damned hardback when it came out in 2001, and except for my two attempts at reading it, it's been doomed to live a life on my bookshelf.
Meanwhile all my smart friends and the smart missus have told me how great this book is. E'en so, in my previous two attempts, I never made it past page thirty.
For some reason, on the third attempt, I was riveted from page one. It finally hooked me in a way it hadn't hooked me before.
And yes, it's fucking good. Read it.
I've read other McEwan books, and they've all been great. (A couple were more like "good reads," I admit. I'm thinking of you,
The Innocent.)
Atonement is my favorite.
McEwan not only has a deep understanding of human emotion but he's also able to express said understanding. Let's face facts: this is why he's a writer. Or rather, this is why he's a great writer.
Some of you may have heard of September 11th (sometimes known as "9/11" or "Giuliani's Political Ambition Realized"). It was a day that happened in 2001. Look it up.
I was here in NYC, and I heard the boom of the (second) plane, I saw the burning towers, and I saw some jumpers, and for quite some time after, I couldn't make any goddamn sense of what had happened. Who could?
Actually,
Ian McEwan could.
To this day, it amazes me that the Guardian published Ian's essay on September 15th. So he wrote it on the 14th or earlier? Holy crap. If you're ready to journey back at all, read the man's essay, but I offer this tidbit to you, as it was this line that brought me to tears at the time:
There was really only one thing for her to say, those three words that all the terrible art, the worst pop songs and movies, the most seductive lies, can somehow never cheapen. I love you.
I was brought back to this line again while reading
Atonement. It turns out that Ian borrowed it from himself for the essay. In the book, he uses the sentiment for a much smaller moment in the context of the world, but no less earth-shattering for his characters.
A film adaptation of
Atonement comes out this fall. I implore you all to read the book first. Ian McEwan's writing makes us better people.
Labels: art, me